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Edouard Manet
French Realist/Impressionist Painter, 1832-1883 The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint. He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years. Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene. Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas. Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student. He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio. Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife. Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them.

 

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Edouard Manet Detail of  The Concert oil painting

Painting ID::  48690

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Edouard Manet
Detail of The Concert
mk191 Oil on canvas
   
   
     

 

 

Edouard Manet Roadman on Belli Road oil painting

Painting ID::  48716

X 
 

Edouard Manet
Roadman on Belli Road
mk191 1878 Oil on canvas 63x79cm
   
   
     

 

 

Edouard Manet Detail of Roadman on Belli Road oil painting

Painting ID::  48717

X 
 

Edouard Manet
Detail of Roadman on Belli Road
mk191 Oil on canvas
   
   
     

 

 

Edouard Manet On the Beach,Boulogne-sur-Mer oil painting

Painting ID::  48976

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Edouard Manet
On the Beach,Boulogne-sur-Mer
mk192 1869 32x65cm
   
   
     

 

 

Edouard Manet Manet-s Family at home in Arachon oil painting

Painting ID::  48977

X 
 

Edouard Manet
Manet-s Family at home in Arachon
mk192 39.4x53.7cm
   
   
     

 

 

Edouard Manet Alabama and Kearsarge oil painting

Painting ID::  49291

X 
 

Edouard Manet
Alabama and Kearsarge
mk195 ca.1865 Oil on canvas 54x50
   
   
     

 

 

Edouard Manet The Execution of  Maximillian oil painting

Painting ID::  50018

X 
 

Edouard Manet
The Execution of Maximillian
mk206 about 1867-8 Oil on canvas 193x284cm
   
   
     

 

 

Edouard Manet On the beach,Boulogne-sur-Mer oil painting

Painting ID::  50046

X 
 

Edouard Manet
On the beach,Boulogne-sur-Mer
mk206 about 1869 Oil on canvas 32x65cm
   
   
     

 

 

Edouard Manet Helene Rouart on her Father-s Knee oil painting

Painting ID::  50048

X 
 

Edouard Manet
Helene Rouart on her Father-s Knee
mk206 1871-2 Oil on canvas 63.5x74.9cm
   
   
     

 

 

Edouard Manet Olympia oil painting

Painting ID::  50817

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Edouard Manet
Olympia
mk214 1863 Oil on canvas 130x190cm
   
   
     

 

 

Edouard Manet The Balcony oil painting

Painting ID::  50818

X 
 

Edouard Manet
The Balcony
mk214 1868-9 Oil on canvas 170x125cm
   
   
     

 

 

Edouard Manet A bar at the folies-bergere oil painting

Painting ID::  50878

X 
 

Edouard Manet
A bar at the folies-bergere
mk216 in the 1860-s manet fought a lone battle against the artificiality and ssencimentality of official art in paris
   
   
     

 

 

Edouard Manet Christ with Angels oil painting

Painting ID::  51668

X 
 

Edouard Manet
Christ with Angels
nn09 1864 Graphite,watercolor,gouacheand pen and india ink on paper 32x27cm
   
   
     

 

 

Edouard Manet Le Bon Bock oil painting

Painting ID::  51955

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Edouard Manet
Le Bon Bock
mk222 1873 94.6x83.3cm
   
   
     

 

 

Edouard Manet The Absinthe Drinker oil painting

Painting ID::  51956

X 
 

Edouard Manet
The Absinthe Drinker
mk222 1859 180.5x105.6cm
   
   
     

 

 

Edouard Manet The Cafe Concert oil painting

Painting ID::  51958

X 
 

Edouard Manet
The Cafe Concert
mk222 1878 46x38cm
   
   
     

 

 

Edouard Manet Man Reading oil painting

Painting ID::  51961

X 
 

Edouard Manet
Man Reading
mk222 1861 99.7x81.3cm
   
   
     

 

 

Edouard Manet The Singer Faure as Hamlet oil painting

Painting ID::  51962

X 
 

Edouard Manet
The Singer Faure as Hamlet
mk222 1877 196x130cm
   
   
     

 

 

Edouard Manet Garden Lane in Reuil oil painting

Painting ID::  51963

X 
 

Edouard Manet
Garden Lane in Reuil
mk222 1882 82x65cm
   
   
     

 

 

Edouard Manet Portrait of Henri Rochefort oil painting

Painting ID::  51966

X 
 

Edouard Manet
Portrait of Henri Rochefort
mk222 1881 81.5x66.5cm
   
   
     

 

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Edouard Manet
French Realist/Impressionist Painter, 1832-1883 The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint. He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years. Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene. Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas. Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student. He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio. Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife. Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them.